2018

How to create a Film Emulation Ilford Delta 100 with Gimp 2.9.8

How to create a Film Emulation Ilford Delta 100 with Gimp 2.9.8
This video features the photo: Jennifer by lincolnlt2001
https://www.flickr.com/photos/139760460@N05/27559704526/in/album-72157666941351480/
Public Domain Mark 1.0

Gimp Links
https://www.gimp.org/
Entwicklerversion 2.9 Download-Index
https://download.gimp.org/pub/gimp/v2.9/
Quelltexte der Gimp-Komponenten Download-Index
https://download.gimp.org/pub/
Gimp Entwickler Wiki (FAQ)
https://wiki.gimp.org/wiki/Hacking:Developer_FAQ
Gimp Entwickler Wiki (Tipps)
https://wiki.gimp.org/wiki/Hacking:Building
BABL Quelltexte
https://download.gimp.org/pub/babl/
GEGL Quelltexte
https://download.gimp.org/pub/gegl/
Gimp kompilieren:
https://www.gimp.org/source/
Gimp-Registry
http://registry.gimp.org/glossary/a
FX-Foundry
http://gimpfx-foundry.sourceforge.net/
Dokumentationen : Die FX-Foundry 117 auf einen Streich
http://www.gimp-atelier.org/forum/viewtopic.php?p=5709#p5709
Gimp Scripte
http://gimpscripts.com/
Gimphelp
http://gimphelp.org/
Babelfisch
https://de.wikipedia.org/wiki/Babelfisch
Werde Patron: https://www.patreon.com/mygimptutorialchannel
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How to Make Great Videos: Color (Part 3) | Lumetri Scopes, LUTs, Color Wheels and HDR

In the final episode of this three-part series, Principal Creative Cloud Evangelist Jason Levine walks you through using Lumetri Scopes (including Waveform, Vectorscope, Histogram & RGB Parade), talks Master Clip effects (with and without Input LUTs), Color Wheels, HDR grading, working with Lumetri in After Effects, and exporting your dailies with LUTs/Looks applied, directly from Media Encoder. Find timestamped chapters below. Learn more about this tutorial series: https://theblog.adobe.com/live-stream-series-make-good-videos-great-color/ Find more videos in this series: https://www.youtube.com/playlist?list=PLD8AMy73ZVxWiBMQM6zZ0fQHCXOZ2f1m9 Download free trials and the latest features in Adobe Creative Cloud video and audio tools: https://adobe.ly/2oqUM0w

01:07 Color introduction with scopes, why we use them, your viewing environment and why it matters
03:39 Lumetri Scopes: start in Color Workspace (and revealing panels)
04:20 Setting the scope options in the Lumetri Scopes panel
08:06 Using the white balance eye dropper
09:20 The ‘Clamp Signal’ checkbox option / The Waveform scope
12:07 Adding additional scopes / scope presets for viewing multiple scopes simultaneously
13:38 The RGB Parade
16:00 The (broadcast) YUV Vectorscope / Testing with Bars & Tone
19:27 The Histogram
22:47 Making adjustments with Waveform RGB scope, adjusting Exposure, highlights & black level
30:14 Using Input LUT on the Master Clip (via effects panel)
36:35 More Input LUTs using Waveform Display
42:18 Revealing the HDR (high dynamic range) Color controls and how to enable/tuse them on HDR footage
45:44 Using the Color Wheels (traditional colorist controls for shadows/midtones/highlights)
48:51 Working with Lumetri shots in After Effects (and setting AE Comp Bit Depth)
51:24 Adding LUTs/Looks on your dailies/selects (with flat footage) on Export via Media Encoder

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