2018

Photoshop Tutorial: How to Create Gorgeous Polyscapes

Photoshop CC 2018 tutorial showing how to create stunning Polyscapes. Polyscapes are photo effects that merge beautiful landscapes or scenes with geometric shapes using clipping masks and shape tools.

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Image IDs: 110169224 and 149198729

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Track: “Grimoire ”

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Portrait – Dramatisch – Schwarz-Weiß-Umwandlung – Gimp 2.9.8

Portrait – Dramatisch – Schwarz-Weiß-Umwandlung – Gimp 2.9.8
In diesem Video zeige ich, wie man ein eher schlecht ausgeleuchtetes Farbfoto mit Gimp, zu einem dramatischen Schwarz-Weiß Foto umwandeln kann.
This video features the photo:
Man by Timothy Krause
Lizenz: Attribution 2.0 Generic (CC BY 2.0)
https://creativecommons.org/licenses/by/2.0/

Gimp Links
https://www.gimp.org/
Entwicklerversion 2.9 Download-Index
https://download.gimp.org/pub/gimp/v2.9/
Quelltexte der Gimp-Komponenten Download-Index
https://download.gimp.org/pub/
Gimp Entwickler Wiki (FAQ)
https://wiki.gimp.org/wiki/Hacking:Developer_FAQ
Gimp Entwickler Wiki (Tipps)
https://wiki.gimp.org/wiki/Hacking:Building
BABL Quelltexte
https://download.gimp.org/pub/babl/
GEGL Quelltexte
https://download.gimp.org/pub/gegl/
Gimp kompilieren:
https://www.gimp.org/source/
Gimp-Registry
http://registry.gimp.org/glossary/a
FX-Foundry
http://gimpfx-foundry.sourceforge.net/
Dokumentationen : Die FX-Foundry 117 auf einen Streich
http://www.gimp-atelier.org/forum/viewtopic.php?p=5709#p5709
Gimp Scripte
http://gimpscripts.com/
Gimphelp
http://gimphelp.org/
Babelfisch
https://de.wikipedia.org/wiki/Babelfisch
Werde Patron: https://www.patreon.com/mygimptutorialchannel
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Ich würde mich freuen, wenn ihr auf meinen Tutorials euren Adblocker ausschalten könntet.
Das würde mir sehr helfen.

How to Make Great Videos: Color (Part 2) | Input LUTs, Flat Footage & HSL Secondaries

In part two of this three-part series, Principal Evangelist Jason Levine focuses on grading flat footage (and shows some tips of how to acquire hidden LUTs inside of Premiere Pro); you’ll get to see several examples of different creative looks on the same content, and this is followed by showing you how to use secondary color correction to target specific pixel/color ranges, and correct/modify the color of objects, skin tones or even replacing a sky/background. Find timestamped chapters below. Learn more about this tutorial series: https://theblog.adobe.com/live-stream-series-make-good-videos-great-color/ Find more videos in this series: https://www.youtube.com/playlist?list=PLD8AMy73ZVxWiBMQM6zZ0fQHCXOZ2f1m9 Download free trials and the latest features in Adobe Creative Cloud video and audio tools: https://adobe.ly/2oqUM0w

00:29 Brief review of previous episode topics (Basic corrections panel, Creative, Curves & Vignette)
01:49 Reviewing original 7D footage with color baked in (not flat)
05:34 Using an Input LUT to flatten your footage, after the fact
08:47 Locating ‘hidden’ Legacy Camera LUTs from within the Package Contents of the application
12:56 Shooting advice: get your exposure correct during capture
14:37 Using an Adjustment Layer to apply the look/grade to footage
16:52 Showing different ‘look’ variations from the same session
17:41 Secondary Color Correction (object) using the HSL Secondary panel in Lumetri
22:44 Using Copy/Paste Attributes to apply secondary color corrections across multiple clips
24:42 Using HSL Secondaries to correct skin tone
30:04 Using HSL Secondaries for sky replacement
36:15 Some side-by-side ‘before and after’ examples of flat vs. graded footage

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